Text is often used in designs as backgrounds, as a collage of words, to give inspirational messages, and as headlines on greeting cards, decorative flags, and other products. Artists can get the approximate text look they want by choosing from a variety of fonts. And they can then enhance the text by using Photoshop blending options to tweak and embellish it to give it that extra touch or to make it pop and more visible.
Blending options include drop shadow, inner glow, inner shading, outer glow, bevel and emboss, satin, stroke, gradient overlay, and pattern overlay. They can be accessed by going to Layer / Layer Style on the command bar at the top of the Photoshop window or by clicking on the fx symbol at the bottom of the layers pallet window.
More than one blending option can be used at a time. They are fast to apply so it is easy to create fun, interesting and decorative text. But because it is fast and easy to use blending options, it is also easy to forget that text should be readable and complement the rest of the design; unless the intent is to make the text the central focus.
See the illustration at the top of the article for examples of different blending options. Below is a description on how they were achieved. Note: Many more effects can be created by adjusting the controls in the blending option windows. So experiment with them.
• 1TEXT - Drop Shadow
green color; 100% opacity; 18 px distance
• 2TEXT - Inner Glow
100% opacity; green color; softer technique; center source; 6% choke, 27 px size
• 3TEXT - Inner Glow
100% opacity; green color; softer technique; edge source; 9% choke; 21 px size
• 4TEXT - Inner Shading
100% opacity; green color; 26 px distance
• 5TEXT - Outer Glow
100% opacity; green color; softer technique; 21 px size
• 6TEXT - Bevel and Emboss
pillow emboss; smooth technique; 481% depth; up direction; 24 px size; 16 px soften; normal highlight; 75% opacity; normal shadow; green color; 100% opacity
• 7TEXT - Stroke
8 px size; outside position; normal blend mode; 100% opacity; green color
• 8TEXT - Satin
normal blend; green color; 100% opacity; 41 px distance; 0 size
• 9TEXT- Gradient Overlay
100% opacity; red and green color gradient; linear style; 90 degree angle; 57% scale
•10TEXT - Pattern Overlay
normal blend mode; 100% opacity; custom made pattern; 25% scale
Related article:
"Photoshop Tip: Editing Font Characteristics" - Adjusting the font size, orientation, sharpness, alignment, color, and numerous warps by selecting the text and using the controls in the text options bar.
I welcome any comments. Please click on the comments section (below) to write your comment.
Friday, June 8, 2012
Thursday, May 31, 2012
Art Licensing: Consultant Jeff Grinspan's Perspective on Surtex 2012
The following article by licensing consultant Jeff Grinspan discusses his observations of the 2012 Surtex show and conferences, the value in exhibiting, and tips on what to do after the show. Jeff's company, Grinspan & Co. specializes in consulting with artists and manufactures on the business of art licensing. His over 20 years in the art licensing business includes 13 years at Sakura (dinnerware and tabletop division of Oneida Ltd.) as VP of Licensing and Design, licensing director for Wild Apple Graphics, and for the last six years the responsibility in producing the Surtex conferences.
SURTEX Post show Buzz…and then some
by Jeff Grinspan
Grinspan & Co.
website: www.artmoid.com
e-mail: grinspan@artmoid.com
Admittedly, the SURTEX show is a vital sales and marketing component for any and all artists interested in licensing their art. The post show Linked-In trail grows by the second, it seems. So here are a few take-away thoughts and some additional comments from the inside looking out…
1. Yes and No
With so much invested in the show (preparation of art, display materials, booth, hotel, airfare, meals, comfortable shoes, hand-outs, ipad portfolio uploads just to name a few) it's hard NOT to expect so much in return. The show is important- so YES.. you need to view it as a part of your overall marketing strategy. But, try not to get bogged down in numbers of visitors or immediate ROI (Return on Investment) This process is a 2-3 year cycle.. so NO, you can't evaluate your success on how you did at the show by head count... especially when filtered by the posts of others.. Remember, your art is unique.. so the buzz (or lack of) from others may apply to their work.. not yours..
2. Quality counts
While not the same mathematical value of dog years to human years, there are prospective licensees who are big companies, who rely heavily on licensed art, who don't exaggerate, who move lots of product and in turn generate nice royalties. So keep the quality of your leads in mind when you try and respond to everyone who walked into your booth and wanted every image emailed to them in 24 hours.
3. A creative mind is a terrible thing to waste..
The conference program speaker roster was cram packed with industry professionals who graciously shared their insights, experience and advice. Several blogs have already summarized the salient content of many of the seminars. Knowledge is valuable.. so digest and learn. There were two topics addressed that remain debatable. Should I use an agent or not? Should I try to establish myself as a brand or not? We've covered them in years past but they remain issues that each individual artist has to resolve. But there is one overriding conclusion regardless of which side of the fence you come down on- GREAT art sells… so concentrate on fine tuning your art so it ends up GREAT. And your brand will follow, and whether you go it alone of want to find an agent, your GREAT art will lead the way..
4. New directions:
My opinion- the art displayed at the show this year was the most exciting, refreshing and dynamic in the last 6 years! Some have suggested this is a result of the economy picking up and retailers now willing to take some chances. Others claim that there is a 7 year cycle of art and we've just ended one cycle and ready for the next. Doesn't really matter, does it? See paragraph #3! The great news is that there's excitement back on the floor! It also means we're energized to come up with some new ideas for next year's seminars.. so stay tuned.
5. Leads..
Long after the discussion about traffic, window shopping, booth location, serious buyers fade into the night.. the names and titles and addresses and phone numbers you collected at the show need to be nurtured.. You can't just assume you'll get a contract just because someone came into your both or even raved about how fantastic your art was. You need to continue to develop market intelligence by developing a relationship with your leads ...
and not give up until you actually hear "Please do not call/email/send me anything else because ____________" If you don't get some kind of response in a reasonable amount of time, then move on. If your art is worthwhile, believe me, you will hear from them.
Trade shows - despite the relatively high cost of participation, remain the single most effective way to reach loads of interested prospects in one place, at one time.
The value of SURTEX (or any appropriate trade show) goes beyond head count.
Want to hear more on what Jeff Grinspan has to say about art licensing? He is giving a free "Ask About Art Licensing" teleconference with Tara Reed on 7/18/12. Signup at askaboutartlicensing.com and ask him a question if you wish. Also get a free replay of Jeff's 9/21/11 teleconference from Ask about Art Licensing.
I welcome any comments. Please click on the comments section (below) to write your comment.
SURTEX Post show Buzz…and then someby Jeff Grinspan
Grinspan & Co.
website: www.artmoid.com
e-mail: grinspan@artmoid.com
Admittedly, the SURTEX show is a vital sales and marketing component for any and all artists interested in licensing their art. The post show Linked-In trail grows by the second, it seems. So here are a few take-away thoughts and some additional comments from the inside looking out…
1. Yes and No
With so much invested in the show (preparation of art, display materials, booth, hotel, airfare, meals, comfortable shoes, hand-outs, ipad portfolio uploads just to name a few) it's hard NOT to expect so much in return. The show is important- so YES.. you need to view it as a part of your overall marketing strategy. But, try not to get bogged down in numbers of visitors or immediate ROI (Return on Investment) This process is a 2-3 year cycle.. so NO, you can't evaluate your success on how you did at the show by head count... especially when filtered by the posts of others.. Remember, your art is unique.. so the buzz (or lack of) from others may apply to their work.. not yours..
2. Quality counts
While not the same mathematical value of dog years to human years, there are prospective licensees who are big companies, who rely heavily on licensed art, who don't exaggerate, who move lots of product and in turn generate nice royalties. So keep the quality of your leads in mind when you try and respond to everyone who walked into your booth and wanted every image emailed to them in 24 hours.
3. A creative mind is a terrible thing to waste..
The conference program speaker roster was cram packed with industry professionals who graciously shared their insights, experience and advice. Several blogs have already summarized the salient content of many of the seminars. Knowledge is valuable.. so digest and learn. There were two topics addressed that remain debatable. Should I use an agent or not? Should I try to establish myself as a brand or not? We've covered them in years past but they remain issues that each individual artist has to resolve. But there is one overriding conclusion regardless of which side of the fence you come down on- GREAT art sells… so concentrate on fine tuning your art so it ends up GREAT. And your brand will follow, and whether you go it alone of want to find an agent, your GREAT art will lead the way..
4. New directions:
My opinion- the art displayed at the show this year was the most exciting, refreshing and dynamic in the last 6 years! Some have suggested this is a result of the economy picking up and retailers now willing to take some chances. Others claim that there is a 7 year cycle of art and we've just ended one cycle and ready for the next. Doesn't really matter, does it? See paragraph #3! The great news is that there's excitement back on the floor! It also means we're energized to come up with some new ideas for next year's seminars.. so stay tuned.
5. Leads..
Long after the discussion about traffic, window shopping, booth location, serious buyers fade into the night.. the names and titles and addresses and phone numbers you collected at the show need to be nurtured.. You can't just assume you'll get a contract just because someone came into your both or even raved about how fantastic your art was. You need to continue to develop market intelligence by developing a relationship with your leads ...
and not give up until you actually hear "Please do not call/email/send me anything else because ____________" If you don't get some kind of response in a reasonable amount of time, then move on. If your art is worthwhile, believe me, you will hear from them.
Trade shows - despite the relatively high cost of participation, remain the single most effective way to reach loads of interested prospects in one place, at one time.
The value of SURTEX (or any appropriate trade show) goes beyond head count.
Want to hear more on what Jeff Grinspan has to say about art licensing? He is giving a free "Ask About Art Licensing" teleconference with Tara Reed on 7/18/12. Signup at askaboutartlicensing.com and ask him a question if you wish. Also get a free replay of Jeff's 9/21/11 teleconference from Ask about Art Licensing.
I welcome any comments. Please click on the comments section (below) to write your comment.
Monday, May 28, 2012
Art Licensing: FREE Class on Trade Show Follow-up Tips
Art licensing consultant Jnet Smith is offering a FREE teleconference class + handouts this Wednesday May 30, 2012 at 1 PM PDT (4 PM EDT) on tradeshow follow-up tips. For more information and the link to sign up, go to All Art Licensing blog "Trade Show Follow-up Techniques. To find out about future classes and free Friday Ask J'net Q&A teleconferences go to All Art Licensing website.
Sunday, May 27, 2012
Art Licensing: A Very Successful 2012 Surtex Show!
But no matter if attendance was up or not, it did not matter because art directors were definitely looking at art to license and they knew what they wanted. Exhibitors reported that there was a steady stream of traffic looking not only at the art on the booth walls but flipping through binders and iPads, and requesting images be sent for licensing consideration. On Linkedin's Art of Licensing group page, exhibitors said that art director's showed up for their appointments (not always the case) and that they visited the booths at the back of the showroom (not always the case). Several licensors even reported that some art directors were ready to sign contracts at the show instead of the normal wait time of months. Another licensor said that she had art directors follow-up with her before she even had a chance to do any follow-ups. No wonder blog articles describing the show had adjectives such as amazing and fabulous! If the positive response exhibitors experienced at Surtex is any indication, this should be a great year in licensing art.
Many blog articles about 2012 Surtex and National Stationery Show have already been posted online. And, I am sure more will soon appear. Below are a slew of posts that I found including two very informative ones including notes on what the artists learned while attending the excellent conferences at Surtex. This year Surtex again offered a whopping ten conferences by licensing experts who volunteered their knowledge and time. Also listed are exhibitors describing their Surtex experience, and artists walking the show describing their impressions and the trends they saw.
Conference Notes
• Natalie Timmons "Surtex Conference Recap"
• Shelley Brown "Surtex: a learning experience"
Attendees walking the shows
• Liz Sacks consultant for artists and branding managers "2012 Surtex/Stationery Show Recap"
• Louis Gale "An afternoon at Surtex: Selling & Licensing Original Art & Design Show in New York City"
• Marilyn MacGregor " Trending towards the Warm - Surtex and Letterpress Printing"
• Shell Rummel "Impressions from Surtex & National Stationery Show -"
Exhibitors
• Beverly Dyer "Surtex 2012 New York City!!"
• Carol Van Zandt "Surtex 2012 It was a good one!"
• Jen Griggs Sebastian "Surtex 2012 was Amazing"
• Jim Marcotte agent for Two Town Studios "Surtex: the Good, the Bad"
• John Chester agent for Wild Apple "Surtex Report"
• Kathy Weller "Another Surtex in the books"
• Sharon Sowell "My art goes to the Big City"
• Ronnie Walter artist/agent for Two Town Studios "Back from the fabulous Surtex"
• Tara Reed "Surtex 2012 - adventures, impressions and more"
• Vita Mechachonis "Surtex 2012 recap"
I welcome any comments. Please click on the comments section (below) to write your comment.
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